As widely recognized, the acting profession can be exceptionally unforgiving, writes torontoski.info. Though often deemed a “feminine” pursuit, it carries a distinctly masculine toughness, relentless demands, and intense competitiveness.
Actors must continuously maintain their physical and professional appeal while striving to captivate both directors and audiences. Without this vigilance, even the most celebrated careers can swiftly fade into obscurity, leaving the performer forgotten.
Moreover, acting often forces individuals to choose between family and career. Rarely do actors manage to balance both harmoniously, frequently prioritizing one over the other.
Margaret Bannerman exemplifies those who achieved remarkable professional success but faced personal challenges. Remembered as a Canadian actress shrouded in mystery and intrigue, her fame stemmed from her roles in productions such as The Gay Lord Quex, The Lady Audley’s Secret, and Hindle Wakes.
Despite her cinematic triumphs, Bannerman also conquered the stage, where she specialized in comedic roles. In this article, based on information from imdb.com, we explore the journey of an actress who, despite her illustrious career, spent her twilight years alone with her passion for antiquities.
Early Years
Margaret Bannerman was born on December 15, 1896, in Toronto. Her education began at Toronto’s Episcopal School, but when World War I broke out, the Bannerman family relocated, and she continued her studies at Mount Saint Vincent Academy in Halifax.
Beginning of an Acting Career
Bannerman’s acting journey began in 1915 when she joined an English theatre company and debuted in Charlotte’s Revue.
As silent films gained immense popularity, she appeared in several comedic films. However, her pinnacle achievement was her role in Our Betters, which ran an astounding 548 performances.
Unfortunately, the demanding nature of her work led to a nervous breakdown in 1925, forcing her to take a hiatus. Bannerman returned to theatre in 1928, and by the 1930s, she had emigrated to the United States, where she pursued roles in American films. She remained active in cinema until 1947 and in theatre until 1963.
Returning to Toronto’s Stage
As a distinguished actress, Bannerman twice performed in her hometown of Toronto.
In 1940, she appeared in Our Betters at the Royal Alexandra Theatre, and in November 1963, she captivated Toronto audiences once more with her performance in My Fair Lady.
“Unlucky in Love”
In her personal life, Bannerman married twice. Her first husband was London producer Anthony Prinsep, and after their divorce, she wed actor Pat Somerset. Both marriages, however, were short-lived, and she had no children.
Passion and Retirement
Bannerman’s acting career concluded in 1963. She then moved to the Motion Picture & Television Fund Home in Inglewood, California, where she dedicated herself entirely to her passion for antiques and vintage furniture. This hobby brought her solace and remained her focus until her passing.
Margaret Bannerman’s life is a poignant reflection of the sacrifices and triumphs that often accompany a career in the performing arts—a tale of brilliance onstage and quiet solitude offstage.
Photo: digitalarchive.tpl.ca